Boys are dumb, I still cringe and get grossed out witnessing and/or listening to Slim Shady’s antics, tons is rotten, and I’m confused af about what a lot of it meant or was referring to. I tried to go at it in order, but it doesn’t seem very chronologically organized. Maybe there’s a different sort of arrangement to go by. I don’t know. I’m expecting I’ll have realizations over time, to further comprehend it all, when more dots manage to connect (or I come across the answers).
At this point, what I can firmly say is that I sincerely appreciate all the work that went into giving Slim Shady a funeral. Or something like that? It is unclear! But, I mean, how it was so on theme and how imaginative and creative it came out as. If I weren’t such a blatant admirer of artists’ skills, I’d be envious. ‘Cause, jeez, what a show!
Personally, I believe I can declare Temporary as my top favorite track. I hated it so much. But then loved it so much, too. Death (and moving on) is always a heavy subject, but oughta confront it nonetheless. It was also such a magnificent time-capsule-message embedded piece that it blew my mind. Then, against my will, I fell in love with Guilty Conscience 2. (Don’t get me started about how much Guilty Conscience stood out for me and what a treat a continuation of it is for someone like me!)
I’ve said it before, I’ll say it again: Though the King of Controversy is sorely missed, that’s one hella demanding job. Plus, I want to see Marshall, the “chopped liver”.
